WAVE grant

The WAVE (Women at the Very Edge) Grant is devoted to supporting emerging filmmakers from diverse backgrounds and perspectives to tell their own “great f**king story.” Each year, we select five recipients to receive a $5,000 seed grant for the production of their first short film. Recipients also receive extensive mentorship from Wavelength’s award-winning team, guiding them though all aspects of development, production, post-production, festival strategy, and more - an MBA in filmmaking if you will! In addition, we offer in-kind partner services, including crowdfunding mentorship from Seed&Spark, camera equipment from Fujifilm, a WeTransfer subscription, and coloring services from Nice Shoes.

Check back later for more information on the 2027 WAVE Grant cycle.

  • Brittany Bendabout

    Brittany Bendabout

    FASTER

    When a brash stripper with nothing to lose is pushed to her limit, we see what she's really made of.

    Artist bio: Brittany Bendabout (b. 1995, Tulsa, Oklahoma) is a documentary photographer and filmmaker. An enrolled member of the Cherokee Nation, her work explores the identification and cultural involvement of Native Americans in Oklahoma.  She has contributed to renowned films as an assistant cameraperson, such as The Lowdown, Reservations Dogs, and Fancy Dance. Her directorial debut for FASTER is currently in development. FASTER explores themes of female rage and vengeance born from sexual assault—emotions often silenced or paralyzing to the victim. FASTER is a deeply personal work that reflects the all-too-common female experience and the complex, often furious ways women reclaim their power in the aftermath of trauma at the hands of men in power.

  • Christina Nieves

    Christina Nieves

    SUMMER THING

    A queer summer romance hits its expiration date but no one is ready to say goodbye.

    Artist bio: Christina Nieves is a queer, Puerto Rican director, screenwriter and actor focused on Latine and LGBTQ+ driven content. Born in Queens, New York and raised in South Florida, Christina's TV writing credits include HBO Max's Generation and Grease: Rise of the Pink Ladies for Paramount Plus, as well as Freeform’s Motherland: Fort Salem and Vida for Starz. She has developed projects with Showtime, Paramount Plus, NBC Universal, Universal Content Productions, and Working Title, among others. Christina holds a Bachelor of Fine Arts in Acting from DePaul University and a Master of Fine Arts in TV and Screenwriting from Stephens College.

  • Isobel Obrecht

    Isobel Obrecht

    BRING YOUR OWN FORKS

    Fed up with her isolation, a woman posts a Craigslist ad that brings four strangers together for a bizarre encounter with a side of pie.

    Artist bio: Isobel Obrecht a first time filmmaker and long time pie lover. Isobel has worked as a writer, actor, designer, and director in theater. Isobel has also worked as a fact checker and associate producer for Have I Got News For You (US). No matter the medium, Isobel has always loved storytelling as means of escape, defense, and liberation. Isobel sees storytelling and art making as a way to build community with other artists trying to make our world a little better, one piece of artwork at a time.

  • Jaelyn Ellis

    Jaelyn Ellis

    SPOILS OF OFFICE

    A headstrong teen is forced to confront a painful truth when her mother makes a morally compromising choice during her re-election campaign.

    Artist bio: Jaelyn Ellis is an NYC-based writer, director, and producer from South Carolina. Her work centers underrepresented stories with nuance and humanity beyond trauma. Her thesis film Girlhood received support from The Future of Film is Female and has been curated by the Museum of Modern Art and NoBudge. She founded Craft House Pictures, where she has produced projects that premiered at Palm Springs ShortFest, HollyShorts, Frameline, and NewFest. Jaelyn is a graduate of Florida State University’s College of Motion Picture Arts and works on independent feature films as a Line Producer and Unit Production Manager.

  • Kat Schulze

    Kat Schulze

    THE GREAT DISAPPOINTMENT

    It is feet washing day at church. A converted mother tries to keep her daughters’ toes away from older men.

    Artist bio: Kat Schulze is a Canadian artist and film non-profit professional based in Los Angeles. Since 2019, Kat has worked for the Sundance Institute, initially contributing to the Documentary Film Program and currently serving as the Manager of the Ignite Program, which fosters emerging filmmakers through the Sundance Institute Ignite x Adobe Fellowship. Kat lends their curatorial skills to various film funds and festivals, including the International Documentary Association, and offers creative consultation to independent filmmakers. Kat is in development on their first narrative short film, THE GREAT DISAPPOINTMENT, with the support of the 2026 WAVE Grant

PODCAST

In its commitment to providing resources for first time filmmakers, Wavelength officially launched REEL TALK: A WAVE Grant Podcast in November 2023, which takes the listener through the process of directing their first short film, from the earliest ideation stage to screening at film festivals and beyond. Hosted by 2022 WAVE Grant alums and filmmakers Ana Verde and Amy Omar, the 10-episode podcast explores a different phase of the filmmaking process each episode and serves as a resource for emerging filmmakers, featuring interviews with prominent writers, directors, producers, editors, and more.